Blog Post · Folk Music · My Own Music · Spirituality and Philosophy

Sisters of Yass

I was asked to write an Irish song for an upcoming music festival. Often my song-writing requires a specific catalyst and the songs tend to come out fully-formed in a few minutes. In searching for a suitable subject for a song, I remembered one of the key Irish connections to our small town in Australia; that being, the Sisters of Mercy who came here in 1875 to set up a school.

My children go/have gone to the primary school that a group of Sisters from Rochfortbridge in County Meath, Ireland, started when they arrived in the town in 1857.

I should caveat my post with the statement that I am sceptical of the capacity for closed religious orders of monks or nuns to maintain a healthy lifestyle in the long term. Victor Hugo dedicates a significant part of Les Misérables to describing the dangers associated with these groups. As a society we have been doing some painful looking into the past on this issue, the Magdalene Sisters in Ireland being a key relevant example. That said, I have great respect and admiration for the courage of these nuns who travelled, on request, to Australia with the intention of doing some good through education.

The song that I wrote is a fanciful re-imagining of brave young(ish; Eliza Fielding was 41) women leaving their native home in Ireland and coming to this dry, brown, land with its mix of recently displaced native peoples, rough settlers and wealthy sheep-station owners. I chose to present the emotion of longing for their (much) greener home but also their desire to share a message of love (and mercy). I have chosen one anecdote from a historical website[i] article that describes how the sisters allowed the local aboriginal children into their classes, but were later forbidden to do so by the State Department for Education. In response, the sisters set up a separate classroom until the classes were eventually integrated.

I also know that the lives of the founder of the Sisters of Mercy order, Catherine McAuley, and one of the key sisters who came to Yass, Mary Paul Fielding, are still remembered at the Mt Carmel School through the naming of their school houses and the annual events that the children are engaged in. The buildings that the sisters built and later lived and taught in are still standing. St Augustine’s Chapel, in particular, has recently be renovated and used as one of the most beautiful venues for the Turning Wave Festival held here in September.

A more in-depth biography of Mary Paul Fielding is provided on the Sisters of Mercy website[ii], including the names of all the sisters who came to Yass. Mother Fielding, in particular, is buried in Wilcannia, far inland New South Wales, definitely qualifying as ‘under a sunburnt sky’.

I do wonder whether my song reflects the feelings in the hearts of the women that came here, especially the young postulants and sisters. Maureen Healy writes in Life out West, her article in the Australasian Catholic Record[iii] in June 2015,

“We pray with our Pope Francis that the Spirit of joy will return to our world, that we will recognise through the eyes of mercy that our children will benefit from the care and the concern of others, and that our elders will be honoured.”

With the way the world seems to be going at the moment, I admire her optimism. The history of the Sisters of Mercy in Australia and the economic and social circumstances that caused young women to leave Ireland and live a life of hardship and service all over Australia are fascinating. Sophia McGrath’s case study of the Parramatta Sisters of Mercy[iv], published in 1995 gives significant insight into this world.

A quote from the above article:

“In 1906 Sister M.Alphonsus Shelly, a pioneer Sister, wrote to Moran: ‘Father Murray CSSR has given a beautiful retreat to the Children of Mary in Surry Hills. It will, please God, be productive of great good. There is a true nursery of vocations there.”

The phrase ‘nursery of vocations’ gives some idea of how young girls were considered (or groomed) for entry into the vocational life. I wonder how many entered because of religious fervour which had been intentionally fanned, how many entered because of the challenges created by their social class and how many entered because, at the time, there were few other opportunities for women in the world other than being a servant-wife.

Sisters of Mercy at the Aboriginal Reserve in Yass
Sisters of Mercy at the Aboriginal Reserve in Yass [i]
[i] http://yass.cathzone.com/Media/Default/Page/history/mercynuns.pdf

[ii] http://www.mercyworld.org/heritage/tmplt-foundressstory.cfm?loadref=182

[iii] Healy, Maureen. Life out west [online]. Australasian Catholic Record, The, Vol. 92, No. 2, Jun 2015: 148-153

[iv] McGrath, Sophie. Women religious in the history of Australia 1888/ 1950: a case study, the Sisters of Mercy, Parramatta [online]. Journal of the Royal Australian Historical Society, Vol. 81, No. 2, Dec 1995: 195-212

Blog Post · Folk Music · My Own Music

Women’s Day (Men stop being Bastards)

I wrote a song to express my sentiments on Women’s Day this year. I have included the lyrics below:

Women’s Day (by Daniel Kelly, 2016)

You pulled her hair in primary school,
Teased her ‘caus you thought it made you cool,
Laughed at her when she knew more than you

Girls can’t run, girls are weak,
Make them cry, don’t let them speak,
It’s really no surprise how we got here

Chorus:

It’s women’s day, it’s women’s day,
There has to be a better way,
To say the things still in my head
Let’s call it ‘Men don’t be Bastards’ day instead.

Took her on a date when you were fifteen,
Tried to squeeze her into your shallow dreams,
She was never gonna be the one you loved

It’s hard to know how to relate,
When all you’re ever taught is hate,
I wish I hadn’t lived with it so long

Chorus

When the children came, she stayed at home,
No women’s wage could pay those bills,
In a market made by men you’ll never win

They say you can always start again,
But only if you pay the price,
Your family, your dignitary and soul.

Chorus

More than a thousand years to prove,
The truth that we already knew,
There’s nothing that a woman cannot do

I wrote the song reflecting on the strong women I have known during my 39 years, and especially in relation to the treatment of women that I grew up observing as a child in Queensland during the 1980’s. Treatment which, to my shame, I emulated. It was not until I left home at seventeen and was exposed to the work of Tori Amos and a broader range of movies and television that I started to re-think the ideology that I had been raised in.

This blog post is about dissecting the origins of my behaviour and, hopefully, to let women know that there are men in society who value their contribution as complete people, rather than trophies, servants or sex toys. I’m also writing to encourage men to think about their attitudes towards women; where those attitudes come from and whether they are your own or imposed.

Why do we, Crucify ourselves
Every day, I crucify myself
Nothing I do is good enough for you
Crucify myself, Every day
And my heart is sick of being in chains
(crucify, from Little Earthquakes, Tori Amos)

The Little Earthquakes album, released by Tori Amos in 1992, had a magical property for me. It took an arrogant, selfish and condescending young male mind and rubbed my face in a thousand years of women’s suffering. I’m not ashamed to admit that I would often be reduced to a sobbing mess after listening properly to some of the songs on this album.

I’m not for a second suggesting that forcing every 17yr old male to listen to Tori Amos is going to solve the problem of gender imbalance, but for me it was a transcendent experience.

The social experiment, done by fanpage in Italy demonstrated with boys 6 to 11, that the tendency towards violence against women must be developed after this age. I’m not just talking about physical violence here, much of the violence against women is verbal and focused on how they look, how they feel and express feelings or how their interests and skills are trivial. Excluding someone from opportunity in society on the basis of their sex is violence.

The lyrics in the song above are all biographical. There were many beautiful young girls in my classes during school that I would tease relentlessly. Not playful teasing, but cruel verbal abuse. Even in my first years of university I would ridicule girls that social norms labelled overweight or unattractive. Girls who were considered attractive would be assumed to be sexually available and subject to a different form of abuse. How had society instilled such a shallow value system in me? I guess I could blame the fact that every storybook, television advertisement, movie and sitcom I was exposed to had the male hero exclusively pursuing a certain type of willing, beautiful, girl whose main purpose was to gush over said hero and fall helplessly into his arms. In my defence, I do not believe that very many young boys could resist an onslaught of this type if it is not countered by an alternate view in the adults and other children they are exposed to. This does not in any way excuse my behaviour or change the harm that was caused.

By the time I was finishing high-school, I ended up inviting a girl to the school formal that I had barely said five words to. My interest purely stemming from the fact that she looked like a singer who I had become infatuated with. As expected, things did not go well, and I was left confused when life did not imitate what I had seen on television and read in books.

I am angry at the way in which this attitude towards women sits at the core of Australian society. Unless a women chooses to forgo having children and is willing to endure harassment, it is unlikely that she will rise very far within her profession. This is evidenced by the average 18% pay gap [i] and means that when selecting top scientists, top doctors, top lawmakers, we are excluding between 5-15% of the available population, purely based on an antiquated idea that men are superior.

Other nations have moved on, providing in-workplace child care, flexible work arrangements and paternal leave. There is no logical reason for this absurd situation, yet in every field that women have fought to become part of, they have faced, and still face, a mountain of resistance.

If anything, celebrating Women’s Day in Australia is really just pointing to our failure. I encourage you to read the story of Rosmary Folett, the first female chief minister in the Australian Capital Territory. It is a story of triumph; her succeeding in doing a job she was highly qualified to do despite a wall of male ignorance and prejudice. However, the point is that she should not have had to, and how much better could she have done if time had not been wasted combating said prejudice? Enough is enough, it is time for balance to be returned.

He said you’re really an ugly girl
But I like the way you play
And I died
But I thanked him
Can you believe that
Sick, sick, holding on to his picture
Dressing up every day
I wanna smash the faces of those beautiful boys
Those Christian boys
So you can made me come
That doesn’t make you Jesus

(Precious Things, from Little Earthquakes, Tory Amos)

[i] https://en.wikipedia.org/wiki/Gender_pay_gap_in_Australia